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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as “another Santa Fe,” long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since artist Donald Judd came to town in the 1970s and began creating spaces for his own and other artists’ work. They remember when ranching and the military formed the basis of the town’s economy, even as they acknowledge that tourist dollars are now essential to Marfa’s sustainability Marfa tells an engaging story of how this isolated place became a beacon in the art world, like the famous Marfa Lights that draw curious spectators into the West Texas night. As Kathleen Shafer delves into the town’s early history, the impact of Donald Judd, the expansion of arts programming, and the increase in tourism, she unlocks the complex interplay between the particularities of the place, the forces of commerce and growth, the textures of local culture and tradition, and the transformative role of artists and creative work. Bookending her story between two iconic artworks—the whimsical Prada Marfa and the crass Playboy Marfa—Shafer illuminates the shifting cultural landscape of Marfa, showing why this place has become a mecca for so many and how the influx of newcomers has transformed its character.
Landscape architecture --- Arts --- Economic aspects --- Judd, Donald, --- Marfa (Tex.) --- History.
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A critical history of site-specific art since the late 1960s.Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Site-specific art. --- Art, Modern --- ARCHITECTURE/Architectural History/General --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Site art --- Site-specific arts --- Arts, Modern --- 7.01 --- 7.039 --- Kunst ; in en op openbare plaatsen --- Urban Art --- Environments ; installaties ; in de stad ; 20ste en 21ste eeuw --- Environmental art --- Community Art --- Public Art --- Kunst in de stad --- Omgevingskunst in de stad --- Beelden buiten --- kunst --- kunsttheorie --- site-specific art --- twintigste eeuw --- Ahearn John --- Dion mark --- Fraser Andrea --- Judd Donald --- Green Renée --- Lacy Suzanne --- Manglano-Ovalle Iñigo --- Serra Richard --- Ladermann Ukeles Mierle --- Wilson Fred --- kunst en openbare ruimte --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 2000 - 2050 --- Art --- anno 1900-1999 --- Landart
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moderne kunst --- beeldende kunst --- twintigste eeuw --- kunstgeschiedenis --- New Realist [post-1945 style] --- Abstract [fine arts style] --- Postmodern --- Neo-Expressionist --- Pop [fine arts styles] --- earthworks [sculpture] --- Neoclassical --- eroticism --- body art [visual works, performance] --- Minimal --- Hodgkin, Howard --- Daley, Anthony --- Kirby, John --- Borges, Jacobo --- Keane, John --- Berrocal, Miguel Ortiz --- Kuitca, Guillermo --- Kossoff, Leon --- Halley, Peter --- Gerzso, Gunther --- Gardner, Jan --- Krut, Ansel --- Bourgeois, Douglas --- Disler, Martin --- Botero, Fernando --- Goings, Ralph --- Beckman, William --- Freud, Lucian --- Beal, Jack --- Antrim, Craig --- Lee, Sadie --- Dine, Jim --- Kudryaasjov, Oleg --- Gil de Montes, Roberto --- Bleckner, Ross --- Birmelin, Robert --- Chia, Sandro --- Chihuly, Dale --- Campbell, Steven --- Ferrara, Jackie --- Bevan, Tony --- Gilbert and George --- Boskovich, John --- De Forest, Roy --- Cappuccio, Antonella --- Goodman, Sidney --- Cruz-Diez, Carlos --- Boshier, Derek --- Kahukiwa, Robyn --- Gihooly, Davi --- Leirner, Jac --- Lemieux, Annette --- Hamilton, Richard --- Hanson, David T. --- Locke, Hew --- Bell, Charles --- Hotere, Ralph --- Cottingham, Robert --- Fridge, Roy --- Kingelez, Bodys Isek --- Birnbaum, Dara --- Guy, Alexander --- Braun-Vega, Herman --- Celis, Perez --- Hicks, Nicola --- Bearden, Romare --- Csernus, Tibor --- Gober, Robert --- Gilliam, Sam --- Chillida, Eduardo --- Gibbons, John --- Ginnever, Charles --- Bhattacharjee, Bikash --- Jeanne-Claude --- Butterfield, Deborah --- Fish, Janet --- Graham, Dan --- Burgin, Victor --- Infante, Francisco --- Frink, Elisabeth --- Cardenas, Juan --- Estes, Richard --- Emery, Lin --- Kienholz, Nancy --- Kubota, Hiroyuki --- Colunga, Alejandro --- Elk, van, Ger --- Berni, Antonio --- Johnson, Ben --- Brown, Roger --- Aksel, Erdag --- Lopez, Antonio --- Bennett, Gordon --- Doolin, James --- Holland, Harry --- Berredo, Hilton --- Jaquette, Yvonne --- Hockney, David --- Golub, Leon Albert --- African --- Horn, Rebecca --- Fried, Nancy --- Cucchi, Enzo --- Bong, Tae-Kim --- Brisley, Stuart --- Boyce, Sonia --- d'Arcevia, Bruno --- Galán, Julio --- Goode, Joe --- Hirst, Damien --- Graham, Robert --- Helpher, Davis --- Faibisovitsj, Simon --- Burton, Scott --- Finlay, Ian Hamilton --- Gu Wenda --- Funakoshi, Katsura --- Celmins, Vija --- Amaral, Jim (John James) --- Ligare, David --- Bellany, John --- Dureau, Georges --- Hacker, Dieter --- Ha Chong-Hyun --- Kopystiansky, Igor --- Durand, André --- Gillespie, Gregory --- Barton, Glenys --- Abate, Alberto --- Indiana, Robert --- Beauchamp, Robert --- Civitico, Bruno --- Boelatov, Erik --- Castle, Wendell --- Cook, Christopher --- Kitaj, Ronald B. --- Gordy, Robert --- Azaceta, Luis Cruz --- Gironella, Alberto --- Flanagan, Barry --- Deacon, Richard --- Kelly, Ellsworth --- Garouste, Gérard --- Larraz, Julio --- d'Arienzo, Miguel --- Feltus, Alan --- Auerbach, Frank --- Hödicke, Karl Horst --- Förg, Günther --- Borofsky, Jonathan --- Close, Chuck --- Arita, Akira --- Gormley, Antony --- Chevalier, Peter --- Bloom, Barbara --- Bates, David --- Berkhout, Rudie --- Baykam, Bedri --- Berlant, Tony --- Han, Raymond --- Baechler, Donald --- George, Milton --- Kopistianskaja, Svetlana --- Howson, Peter --- Finley, Karen --- Arnoldi, Charles --- Jarman, Michael Derek --- Jenney, Neil --- Laib, Wolfgang --- Bartlett, Jennifer --- Harris, Philip --- Arman --- Bailey, William --- Caro, Anthony --- Andrea, De, John --- Gianakos, Steve --- Benton, Fletcher --- Bawa, Manjit --- Kostabi, Mark --- Liu Wei --- Kelley, Mike --- Chadwick, Lynn --- Ledy, Cheik --- Boetti, Alighiero --- Dean, Graham --- Chandra, Avinash --- Arneson, Robert --- Howe, Delmas --- Basquiat, Jean-Michel --- Kabakov, Ilija Iosefovich --- Amaral, Olga Ceballos de --- Armajani, Siah --- Boyd, Arthur --- Katz, Alex --- Daley, Leonard --- Gornik, April --- Fetting, Rainer --- Adu, Osi --- Caballero, Luis --- Booth, Chris --- Ackling, Roger --- La Noue, Terence --- Atkinson, Conrad --- Heizer, Michael --- Koberling, Bernd --- Bustamante, Jean-Marc --- Barry, Judith --- Cinalli, Ricardo --- Hawley, Steve --- Kim Jong-Hak --- Leonard, Michael --- Hill, Gary --- Kienholz, Edward --- Chase, Louisa --- Jimenez, Luis Jr. --- Ceccobelli, Bruno --- Andrejevic, Milet --- Guston, Philippe --- Jeffries, Neil --- Klapheck, Konrad --- Gamarra, José --- Jones, Allen --- Bonevardi, Marcelo --- Cuevas, José Luis --- Arango, Ramiro --- Ahearn, John --- Frey, Viola --- El Salahi, Ibrahim --- Doig, Peter --- Kiyomizu, Kyubei --- Alexander, Peter --- Johnson, Richard A. --- Haring, Keith --- Kooning, de, Elaine --- Aponovich, James --- Kunst ; vanaf 1960 ; naslagwerken --- kunst 20e eeuw --- kunst ; 20e eeuw ; encyclopedieën --- kunst ; encyclopedieën --- kunst vanaf 1960 ; encyclopedieën --- Kunstgeschiedenis ; 1950 - 2000 --- kunstgeschiedenis - kunst na 1945 --- kunstgeschiedenis, 20e eeuw --- Arcevia, d', Bruno --- Arienzo, d', Miguel --- Kunstgeschiedenis --- Kunsten --- Contemporary [style of art] --- feminism --- Art --- installations [visual works] --- hedendaagse kunst --- art [fine art] --- Conceptual --- Arte Povera --- Johns, Jasper --- Kounellis, Jannis --- Fischl, Eric --- Christo --- Kirkeby, Per --- Kruger, Barbara --- Holzer, Jenny --- Flavin, Dan --- Long, Richard --- Applebroog, Ida --- Kusama, Yayoi --- Kapoor, Anish --- Clemente, Francesco --- Flack, Audrey --- Arakawa, Shusaku --- Chicago, Judy --- Artschwager, Richard --- Kosuth, Joseph --- Andre, Carl --- Durham, Jimmie --- Fabro, Luciano --- Judd, Donald --- Buren, Daniel --- Hesse, Eva --- Beuys, Joseph --- Francis, Sam --- Chamberlain, John --- LeWitt, Sol --- Goldsworthy, Andy --- Fontana, Lucio --- Frankenthaler, Helen --- Baldessari, John --- Immendorff, Jörg --- Cragg, Tony --- Bacon, Francis --- Kiefer, Anselm --- Broodthaers, Marcel --- Baselitz, Georg --- Appel, Karel --- Grippo, Victor --- Kelly, Mary --- Dittborn, Eugenio --- Bourgeois, Louise --- Bickerton, Ashley --- Lüpertz, Markus --- Alexander --- Lichtenstein, Roy --- Klein, Yves --- Koons, Jeff --- Art & Language --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- Nouveau Réalisme --- Amaral, Jim --- Cruz Azaceta, Luis --- Forest, De, Roy --- Salahi, el, Ibrahim --- Amaral, de, Olga --- Jimenez, Luis [jr.] --- Jarman, Derek --- Lopez-Garcia, Antonio --- 7.038 --- 700.1 --- 705.8 --- beeldende kunst, encyclopedische werken .. --- Audu, Osi --- Kunst --- beeldende kunst, encyclopedische werken --- art [discipline] --- Abstract [modern European style] --- culturele diversiteit (kunst)
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